The Lord of the Rings - The Motion Picture Trilogy
Barnes
And Nobles Book Reviews
Lord of the
Rings: The Fellowship of the Ring
J.R.R. Tolkien's
fabled Ring trilogy, originally published in the 1950s,
set a new standard for fantasy fiction -- and its Oscar-winning
live-action adaptation does the same for movies of the sword-and-sorcery
genre. Perhaps the most eagerly awaited fantasy film of
all time and nearly five years in the making, The Fellowship
of the Ring captures the spirit of Tolkien's Middle-earth
saga far more faithfully than its millions of fans dared
hope. (Ralph Bakshi offered an animated adaptation in 1978,
but to a much less rousing response.) The story begins as
elderly hobbit Bilbo Baggins (Ian Holm) relinquishes possession
of his most valuable keepsake, a golden ring possessing
magical powers, to his youthful heir, Frodo (Elijah Wood).
Charged with casting the ring into the fires from which
it was forged, the young hobbit begins an arduous trek across
Middle-earth, accompanied by a sturdy band that includes
his best friend, Sam Gamgee (Sean Astin), the mercurial
wizard Gandalf (Ian McKellen), the haunted warrior Aragorn
(Viggo Mortensen), and the blustery dwarf Gimli (John Rhys-Davies),
among others. Opposed by treacherous sorcerer Saruman (Christopher
Lee) and the demonic emissaries of the Dark Lord, Sauron,
this continuously embattled Fellowship makes its way slowly
toward the cruel land of Mordor. Studded with remarkable
action sequences enhanced by state-of-the-art computer effects,
Fellowship is a veritable feast for eye and ear.
Director Peter Jackson shot the film in his native New Zealand,
where he found stunning, picturesque locations in which
to set his scenes. These marvelous natural settings combine
with the beautifully crafted sets, costumes, makeup, and
props to convincingly bring Tolkien's mythical world to
life. The actors, one and all, play their roles as if they
were born to them; even such briefly seen stars as Cate
Blanchett (elf queen Galadriel) and Liv Tyler (elf maiden
Arwen) perform with panache. Fellowship departs from
the sacred texts in a number of ways, but Jackson's movie
replicates the trilogy's first book faithfully. A rousing
adventure-fantasy that will delight Tolkien devotees and
newbies alike, this is truly an unforgettable film -- one
that will yield new pleasures with each viewing, and which
therefore belongs in every video collection. Ed Hulse
The Lord of
the Rings - The Two Towers
The second part
of this epic trilogy, based on the perennially bestselling
fantasy novels by J.R.R. Tolkien, not only meets but surpasses
the high standards set by the initial film, The Fellowship
of the Ring. Director Peter Jackson, working from a
masterfully adapted script by Frances Walsh, condenses the
second book's narrative in a way that captures all the highlights
and eliminates the dragging spots. The result is a truly
spectacular movie, crammed with action and darker in tone
than its predecessor. The story initially focuses on the
hobbits Frodo Baggins (played by Elijah Wood) and Sam Gamgee
(Sean Astin), who press on toward Mordor and the ultimate
disposition of the magical ring they reluctantly bear. Our
attention is subsequently directed toward other members
of the Fellowship -- human Aragorn (Viggo Mortensen), elf
Legolas (Orlando Bloom), and dwarf Gimli (John Rhys-Davies)
-- who join forces with a group of humans besieged by demon
warriors commanded by the malevolent Lord Saruman (Christopher
Lee). Utilizing spectacular New Zealand locations, Jackson's
production has enormous scope and majesty, but the director
never loses sight of his characters, whose personalities
are fully crystallized here. The acting is of a uniformly
high caliber, with octogenarian Lee and newly minted genre
stalwart Ian McKellen (returning as the wizard Gandalf)
edging out their younger costars for top honors. Computer-generated
effects are employed generously, but rather than dominating,
the action they complement it. A movie that is truly dazzling
in every way, The Two Towers builds mammoth anticipation
for the trilogy's conclusion, The Return of the King.
Ed Hulse
The Lord of
the Rings - The Return of the King
The third and
most spectacular installment of Peter Jackson's remarkable
Lord of the Rings trilogy builds to a climax of almost
endurable suspense as Middle-earth is rocked by the prospect
of impending Armageddon -- an all-out war that can only
be prevented by two lowly hobbits. Frodo (Elijah Wood) and
Sam (Sean Astin) follow the treacherous Gollum (Andy Serkis)
to Mount Doom, into whose fiery core must be hurled the
all-powerful ring. Meanwhile, as Gandalf (Ian McKellen)
and Pippin (Billy Boyd) cast their lot with the besieged
inhabitants of Gondor, the remaining members of the Fellowship
-- Aragorn (Viggo Mortensen), Legolas (Orlando Bloom), and
Gimli (John Rhys-Davies) -- attempt to recruit the spirit
warriors of Cursed Mountains in the final conflict against
Sauron. Return of the King reaps the benefit of narrative
seeds sown in the previous two installments: The characters
and conflicts having been well established in Fellowship
of the Ring and The Two Towers, Jackson resolves
everything in King on a grand scale that old-school
filmmakers would never have imagined possible. Computer-generated
special effects account for many of the film's visual delights,
but this superb director invests the proceedings with intense
emotions as well, and once the final battle has been decided
he presents a protracted but satisfying denouement that
ties up all the loose ends. Perfection is nearly impossible
to attain in any human endeavor, but with this film Jackson
has come as close to it as anybody in motion-picture history.
We're hard pressed to imagine anybody else having realized
a live-action version of J. R. R. Tolkien's story with as
much imagination, expertise, and feeling. King swept
this year's Oscars for good reason -- it's a stunning, unforgettable
work that has already taken its place in cinema history.
Jackson's Special Extended Edition adds 50-minutes to the
theatrical cut of the film. Ed Hulse
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